Microgrowing Kit - InFarm
Another brilliant solution for urban farming, the Microgrowing Kit from InFarm is an origami-inspired form made from a transparent waterproof material and helps grow microgreens in any environment. Ten to fourteen days after planting the seeds within the kit, the greens are ready to eat without the need to water even once… and you can watch the growing process from start to finish. The best part? You can use the kit again and again as often as you like.
See more at: InFarm
In our culture bread is a symbol for safeguarding the basic existence. The consumer society lives by the idea that resources are available indefinitely. The industrialized world consumes more than it needs and less than it buys. In Austria, a country with about 8 million inhabitants, annually 170,000 tons of enjoyable food end up in the trash, 70,000 tons of it is bread. For the production, transport and disposal of goods and foods, large amounts of resources are required. To waste these raises questions about consumer behavior. Just the amount of wasted food in Europe could feed twice the hungry of the world. A new balance between economy and ecology is necessary.
The “Arc de Triomphe”, which was realized in the context of “street gallery – Lendwirbel Festival 2012″ in Graz (AT), accounts a global capitalist system that has passed the zenith of infinite growth. The “Arc de Triomphe” enlightens a dark aspect of our behavior – waste production.
Mister Mourao (aka Vasco Mourao) is a Portuguese architect turned into a freelance illustrator with (as he explains) “a tendency for obsessive drawing“. His methodical and detailed illustrations represent real or invented structures and buildings always from different perspectives. The buildings are sometimes exploded or distorted, fragmented and reassembled. The simplicity of the black line contrasts with the richness of the compositions.
Self-confidence Produces Fine Results, Banana Wall, 2008
10,000 bananas and glue
installation views from the exhibition Things I Have Learned In My Life So Far at Deitch Projects, New York City, 2008
The opening of the exhibition at Deitch Projects in New York featured a wall of 10,000 bananas. Green bananas created a pattern against a background of yellow bananas spelling out the sentiment: Self-confidence produces fine results. After a number of days the green bananas turned yellow too and the type disappeared. When the yellow background bananas turned brown, the type (and the self-confidence) appeared again, only to go away when all bananas turned brown.
The Garland Building
The Restored Commonwealth Club
Members enter the club and undergo a number of rituals to depart their original realm and enter the realm of the club, the cloakroom is the main point of transition, disrobing and re-assembling.
The club has gone through a number of transitions in line with the state of the empire and the development of the Commonwealth, the ideological charge is released through the club’s details.
The realm of the Restored Commonwealth is manipulated by the movement of the Empire Clock.
The hands do not just indicate the time (past / present / future) they also dictate the spaces that occupy the realm at that given moment.
This results in a realm that is in a constant state of flux, jumping time, space and gravity.
The mnemonic details of The Restored Commonwealth Club considers the design of human / non-human interfaces fusing the role of the member and the detail, resulting in the interwoven fabric of the gentlemen’s/non-anthropocentric club.
The Restored Commonwealth Club - film